It is not the intent of this website to provide technical information regarding the vocal instrument, its physiology and its manner of operation but rather focus on exercises that help the motivated singer discover the true nature of the free voice. Important concepts and terminologies are listed below and will be briefly discussed during one-on-one interactions with me. It will be up to each individual to find and study writings on them, but not at the risk of experiencing confusion!

Ultimately, the eyes and the ears of the experienced voice pedagogue/coach should be the best judges of correct or incorrect use of the voice.

Here are key words and phrases to be mindful of:

• Diaphragmatic (abdominal) breathing and support
• Registers of the voice: Low, Middle, Upper (Chest, Medium, Head)
• Passaggio
• Blending of the registers
• Resonance:

Chambers (spaces) in and physical parts of the body act as resonators for the different parts of the vocal range (pitch)

• Chiaroscuro (bright-dark)
• Vibrato

Understanding or mastering the fundamental principles behind proper use of the vocal tract is not a prerequisite.

Exercises, among many others, will consist of the following:

           Legato with pure vowels

           Staccato using vowels with consonants

Wide or narrow scale range depending on the candidate’s level

The same principles apply whether one is singing or speaking on stage or in a studio.

The "one size fits all" approach is far too common in voice pedagogy. In his preface to his book more than a century ago, Lamperti emphasizes the importance of individualizing: